It sounds cliché to say, "it's all a matter of perspective", but in photography a slight change in your camera's position can make a big difference to the overall look of your final image. Let me take you on a recent expedition to a local field to show you what I mean.

Each spring, the hay fields in my area are inundated with thousands of daisies. It's a wonderful sight to see and always draws me in to try and capture a few images. This past spring was no different. One particularly pleasant evening I hopped in my car and drove down a local side road until I reached one field that was still nicely lit by the rapidly setting sun.

I grabbed my OM-D E-M1 and, since I wanted to capture the expanse of this floral landscape, I attached my M.Zuiko Digital ED 7-14mm F2.8 PRO lens. I jumped the fence (yes, I am guilty of trespassing on occasion) and walked about 30 feet into the field. The daisies were everywhere, so finding the perfect spot was easy.

I had already pictured the image in my head - one large, photogenic daisy, set against thousands, and nicely lit by the orange glow of the sun. I checked my camera settings, composed a shot and...


daisy field
Shot taken with an OM-D E-M1, M.Zuiko 7-14mm f2.8 PRO, ISO 640, 1/20s at f/13.0

Now, I'd be lying if I said that this was the very first shot that I'd taken that evening, but this was pretty close to what I had in mind. I was quite happy with the overall composition - good light, rule of thirds, nicely balanced. Time to pack it up and move on? Nope!

Anyone who has been in the photography game for awhile has certainly heard this sage advice - "always walk around your subject and look for new angles", or "the first place you put your tripod is the worst place to put your tripod". Well, I wasn't using a tripod and I still wanted my subjects backlit by the sun. That left two possible options - shoot high or shoot low. I chose to shoot low.

Time to recompose and... Click!

daisies in field
Shot taken with an OM-D E-M1, M.Zuiko 7-14mm f2.8 PRO, ISO 400, 1/100s at f/16.0

For this shot, I lowered my camera about 12 inches and got a completely different take on the scene. That's the power of changing your perspective.

I'll let you decide which image is better. That's not really important here. By taking a few moments to think about the scene in front of me, and by placing my camera where my eyes never go (I'm 6' 2" and these daisies were at knee height), I created, what I think of as, a more interesting image.

Shot taken with an OM-D E-M1, M.Zuiko 12-40mm f2.8 PRO, ISO 320, 1/160s at f/9.0


Well, there really isn't one, except perhaps - move and shoot (or is that, shoot and move). Each scene is different, but your viewer will be far more engaged if you offer an unusual view of your subject. Some suggestions include;

  • shoot higher than eye level
  • shoot lower than eye level
  • shoot straight up or straight down
  • move in close or back away
  • frame your subject  - use a door, window, arch, tree branch (this is a whole blog post on its own)
  • switch lenses or focal lengths (again another blog post)


I have found that perspective and patience go hand-in-hand. When I arrive at a location I often have to take a deep breath and force myself to slow down. I may have a shot in mind and be quite focused on achieving it. Once I've got it, I force myself to look around and see if there are other (and perhaps better) vantage points from which to capture the scene.

Here is an example. Abandoned farm houses are a favourite subject of mine. The one pictured below is about 30 minutes from my home. Shortly after the snow melted this year I decided to spend some time photographing it. Again, I had an initial image in mind.

Farmhouse in Field - Version 1
This is the perspective from which I was used to seeing the old farm house - close to the road. OM-D E-M5 Mark II, M.Zuiko ED 7-14mm f2.8 PRO, ISO200, 1/125s, f/16
Farmhouse in Field - Version 2
Shot taken with an OM-D E-M5II, 7-14mm f/2.8 PRO, ISO200, 1/200s, f/16

Overall I like this shot. It has some nice foreground, mid-ground, and background elements, but I thought - time to do more trespassing! I spent about 20 minutes wandering around photographing this old farm house.

Again, the "best" shot is a matter of perspective (pun intended). Each one has compositional elements going for it, but for me, I favor Figure 4. My wife, who happened to walk into my office as I was uploading these images, likes the final one best.  Of course, I wouldn't have captured any of the others had I not taken the time to view this building from a variety of angles.

Farmhouse in Field - Version 3
Shot taken with an OM-D E-M5 Mark II, M.Zuiko ED 7-14mm f2.8 PRO, ISO200, 1/125s, f/16


Regardless of the subject, experiment with different angles and vantage points.

Flowers from above
Shot of rock phlax photographed from above. OM-D E-M10, M.Zuiko ED 60mm f2.8 MACRO, ISO800, 1/160s, f/11
Flowers from side
A far more interesting image was achieved by shooting these flowers from the side. OM-D E-M10 Mark II, M.Zuiko ED 7-14mm f2.8 PRO, ISO200, 1/80s, f/5.0

Final word

Whether you move your camera a few inches (as with the daisy shots) or many meters, experiment with a variety of angles. This will provide you with a range of images to choose from and improve your photographic vision

This article republished with permission from Peter's blog, Check out the original article for more example photography and to leave a comment for Peter.


Twitter: @creativeisland4

Peter has been a dedicated Olympus shooter for nearly 40 years, and has found a way to combine his passion for photography with his love of teaching to develop photography workshops with a focus on landscape, wildlife and astrophotography. Peter’s work has been published in a number of magazines including Canadian Geographic, Shutterbug and Outdoor Photographer. He maintains his own blog with an emphasis on tutorials that assist others in bringing their photography up to the next level.