Self Portrait
I never thought or intended this project to be just about me. I wanted a broader picture of recreating while Black in the mountains. The thing that occurred to me as I tried (and failed) to connect with BIPOC on the western slope was that if I succeeded, I would not be documenting the current experience. My experience is of being alone as a woman of color. I want that to change. I desperately want to bring other BIPOC to my favorite spots, and to make it known that “you too can recreate here”.

OM-D E-M1 Mark III | M.Zuiko 7-14mm F2.8 PRO
14mm | 1/160s | F11 | ISO 200

One thing I wanted to show was that sensation of feeling singular in a crowd. It’s a sensation that Black people in the outdoor recreation world are intimately familiar with, and it’s something that Peter and I talked about very early in our first meeting.

Aspen Trees
The story behind this is a good illustration of my style of adventuring too; haphazard and last minute, and involving a little bit of getting lost as well. I knew exactly what I wanted to find. I wanted to find a pine in the midst of yellow aspens. I didn’t have a clue where to find it, but I went out with hope. I decided that the most likely place to find what I was looking for would be over Kebler Pass, home to one of the largest aspen groves in the world. In true Natalie-adventure style, I never made it to Kebler Pass. I made a wrong turn, turned a 4 hour drive into a 12 hour drive, and got my picture anyway. This picture happened on Ohio Pass, as the sun was setting and the light rapidly failing. I was afraid I was going to lose the light and getting worried that I hadn’t found the shot I wanted when I came around a bend in the road and saw it. Off, far off in the distance. Peter and I had talked about landscape photography with a zoom lens, and how the zoom can create a more intimate and layered look. Like a lot of beginners I was far more familiar with the wide angle landscape shot, sweeping vistas and such. But I knew that the intimate zoom was what this shot needed. I switched to my M.Zuiko 40-150mm F2.8 PRO and started framing up the shot. With the fading light I knew I would either have to boost my ISO or lengthen the shutter speed, and that I would want a long focal length for good depth of field, meaning even less light hitting the sensors. In aperture priority mode I set my aperture to f/22, and let the camera choose the shutter speed at ¼ seconds. I wanted to keep my ISO as low as possible so as not to introduce any unwanted graininess to the image. With Olympus’s excellent image stabilization feature I knew that I would be able to get a clear shot despite a zoom of 85mm and a longer shutter speed so I shot with confidence.

OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
85mm | 1/4s | F22 | ISO 200
Yellow Leaf
The next shot is the one I call “Yellow Leaf, Alone” (because I’m a photographer, not a poet), and is one of Peter’s favorite shots of mine. Peter was instrumental in this shot, because we talked about the use of interesting foreground and the in camera focus stacking feature. Artistically, we talked about solitude, not only being alone in a crowd of others, but just being alone. Walking on the shoreline of Ruedi reservoir, just past the height of fall colors on a heavily overcast and rainy day, I was struck by the brilliance of the newly fallen aspen leaves against the red rock. I picked up one of these perfect, brilliant leaves and set it on the shore. This photo is a stack of 8 shots, post-processing in Photoshop.

OM-D E-M1 Mark III | M.Zuiko 7-14mm F2.8 PRO
8mm | 1/250s | F3.5 | ISO 200
Mountain Layers
The light that same day was a photographers’ dream, overcast and diffuse, with a beam of sunlight striking through every now and again. On the way home from the reservoir this scene caught my eye to the point that I absolutely had to pull over and take some more photos. This is my favorite from a random section of road between Carbondale and Glenwood Springs. It makes me think of a watercolor, and I love the smooth layers, and the pop of yellow to lighten the mood.

OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
125mm | 1/3200s | F5.6 | ISO 250
Astro-Landscape
I have always wanted to try astrophotography, and I was so excited to try the OM-D E-M1 Mark III with it’s Starry Sky AF. One of my first adventures in Colorado was at the Garden of the Gods near Colorado Springs. Although the city lights cause bright interference, Colorado still has some of the brightest stars I’ve ever seen. I hoped to be able to capture some magic among the majestic outcroppings of red sandstone. I headed out one morning around 3 AM, an admittedly strange time to go rock hopping, and got lucky that for once the weather was cooperating with my goal of star photography.

OM-D E-M1 Mark III | M.Zuiko 7-14mm F2.8 PRO
7mm | 2s | F2.8 | ISO 1600
Astro-Landscape
Orion is my favorite constellation, and ‘he’ figures prominently in both these photos. There are a million pictures from the Garden of the Gods, but I was excited to get a relatively unique perspective by visiting in the early morning hours between moon-set and sunrise.

OM-D E-M1 Mark III | M.Zuiko 7-14mm F2.8 PRO
10mm | 30s | F2.8 | ISO 3200

This trip got me thinking. Colorado is a wildly beautiful place, and literally millions of pictures are taken here, usually of the same places, in similar sorts of weather. So why not try to visit another iconic spot in different sorts of conditions than what is usually sought after? I live conveniently close to the Maroon Bells WIlderness and the iconic view of the Maroon Bells peak reflected in Maroon Lake is one that many Colorado photographers go to great trouble to get. But of course, I don’t want to take that picture everyone else does. So I went in the rain and the fog. It was a wonderful, freezing cold day so naturally I dragged some friends and family along to enjoy the sufferfest with me. They were very good sports about the drizzly nasty weather and appallingly slow pace of our walk as I stopped every 15 feet or so for another shot. This is the downfall of being friends or the relative of a photographer I suppose. But we have these shots to remember the day with, so for me it was worth it, and hopefully for them as well. The standout of the day was the performance of the camera itself, shooting for hours on one battery and no worries about being rained on except keeping the lens clean and clear.

Mountains
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
11mm | 1s | F22 | ISO 250
Mountains
OM-D E-M1 Mark III | M.Zuiko 7-14mm F2.8 PRO
11mm | 1.3s | F11 | ISO 250
Mountains
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
40mm | 1/250s | F8.0 | ISO 200
Mountains
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
48mm | 1/320s | F9 | ISO 200

Covid wrought a lot of changes in my life, as it did in many people’s lives. I have been so fortunate that I am a nurse and have not had to struggle with the loss of a job or income. But as the country began to really struggle with the third wave of Covid this fall I felt that I could no longer justify staying comfortable at home while so many nurses are not only fighting a daily battle with Covid, but also with understaffing. I made the decision to take an assignment working in Minneapolis, and that meant saying goodbye to my home, family, and the mountains. I made one last trip to the Rifle arch, a sandstone arch just a short 1 ½ mile hike from highway 13 only 30 minutes from my home. I somehow coerced my faithful friends to accompany me because I knew that I would need their help setting up some of the shots I wanted to get.

Self Portrait
The remote control app on my phone has enabled many self-portraits and shots where camera shake is problematic, but these shots were a little out of range of the reach of the app so I knew I would need some help. This is my favorite from that day.

OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
52mm | 1/15s | F11 | ISO 200

The last images I have to share are from Minnesota, because the best way I know of getting familiar with a place is to go out scouting for photography locations. And although these images do not showcase Colorado, I am proud of them because I feel that they show my growth as a photographer throughout this process.

Self Portrait
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
7mm | 1/50s | F7.1 | ISO 200
Pink City Sunset
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
95mm | 1/20s | F4.5 | ISO 200
Bridge at Sunset
OM-D E-M1 Mark III | M.Zuiko 40-150mm F2.8 PRO
40mm | 1/40s | F16 | ISO 200

Learn More About Natalie's Project

You can follow Natalie as she planned and executed her project through her three monthly blogs.

READ MONTH THREE BLOG

READ MONTH TWO BLOG

READ MONTH ONE BLOG